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Cake day: July 4th, 2023

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  • I believe graphically both the ST and Amiga were used to their full potential, I just think the games available on them aren’t actually designed well, as in they had access to so much more memory, but for the most part didn’t know how to create a compelling gameplay or story experience with the additional creative freedom those better specs allowed.

    As I say there are a few exceptions on both platforms, I think Another World on the Amiga is a good example of a developer using that extra power extremely well to create a truly novel and innovative experience that stands the test of time.

    Hunter is definitely trying to be innovative, but the hardware wasn’t ready for a full 3D open world, and personally I don’t think it holds up as a ‘good game’ today.

    I guess the point I’m trying to make is that within the still existing limitations of that era of hardware, most Amiga and ST devs did not have the design chops or writing ability to create a compelling game within those restrictions that would make it a standout even today. Consoles from around the same period such as the Sega Genesis and SNES have pretty similar hardware restrictions to the Amiga and ST, but still have a fairly beloved library of games due to those seeming to attract more talented designers.



  • I’m not sure that entirely explains the reputation Babylon’s first season seems to have online, though.

    As an example, TNG is almost entirely episodic and made in the same era, yet it’s generally regarded well. The first season there is also known to be bad, but more so because it’s actually poorly implemented until they discovered what works in season 2, which is still episodic.

    The same for DS9, which has a poor season 1 that has to be pushed through as they find their feet. That too remains mostly episodic until the later seasons with the dominion war, yet I haven’t seen the same suggestions for watch guides to skip most of the early seasons to get to the serialized stuff, people usually still consider the good episodic standalones of DS9 to be worth watching, from what I can tell.

    There’s something oddly unique about the Babylon 5 community suggesting watch lists to avoid any episodic content from the first season specifically, despite the show starting out on way stronger footing than either DS9 or TNG. At least for me, it gave a perception that the first season is nigh unwatchable dreck that most only tolerate once for the setup it provides, emphasizing to grind through it for the pay off.

    But my actual experience with it makes the near universal dislike of it’s season 1 bewildering, especially as they are not entirely episodic in the sense that virtually all of them so far have seemingly contributed toward the bigger arc in some way, even the monster of the week episodes.



  • To anyone who hasn’t played this; I’m a huge adventure game fan, been playing them my whole life, and I couldn’t stand this game.

    The protagonist is insanely unlikable (and not in a good way), and the puzzles weren’t terribly fun in my opinion.

    It has nice art, and the world is cool, but just beware that it’s very much a marmite sorta game (love it or hate it).




  • I’m watching for the first time now, so far on Ep 6, and I’ve read a lot about season 1 being bad, and specifically to use this guide to avoid the bad episodes, but I decided to watch the low rated ones anyway just to see and I actually found that I liked them quite a lot, even the monster of the week soul hunter episode I thought was quite well done.

    I can see how some may bounce off the wooden acting of the main character/commander (and the second in command in the pilot who was really bad, but replaced with the other actress who plays the role far better. Though a shame they weren’t able to keep the doctor from the pilot, I thought they did a much better job than the replacement IMO), but overall I’m finding season 1 so far dramatically better than DS9, which I’ve bounced off like 3 or 4 times and never was able to enjoy due to how dull it felt.

    B5 in comparison has such a rich 90’s soundtrack and is absolutely dripping with color and well framed shots, it’s a feast for the eyes, like a classic Baen book cover come to life. I also find I enjoy the characters far more than DS9’s.


  • I hope it’s okay if I weigh in too :p

    I think my favorites are CNT, Original, and Tabby (cause cat), but if I had to pick just one, I think I’d choose Original.

    And I realized I never provided any context for where I got the person holding the banner in Original! It is from this cool Spanish Civil War photo (and I just realized I forgot to create a CNT FAI flag version, oop). She was a militia woman called Anita (or Antoni Campañà), and there’s a cool backstory around her from this article in Catalan, but I’ll pop an English translation below in a spoiler (from Firefox’s built in translation ability, so hopefully fairly accurate).

    English translation of the article

    in the summer of 1936, a young militiawoman unfolds, cheerful and confident, a black and red flag of the CNT-FAI in a barricade erected on Hospital Street next to the Rambla, with the Casa dels Umbrellas in the background. The image, a symbol of the revolutionary soul and the hopes of the people in arms, became one of the most widespread icons of the Spanish civil war around the world, reproduced in postcards, magazines and even T-shirts for dogs or motorcycle helmets, although it was not known who the author, Antoni Campañà, was, until one of his grandchildren found it in 2018 in the garage of his house inside First mystery solved. But who was the libertarian smiling and confident?

    When two years ago the French couple formed by François and Liliane Gomez saw the image displayed on the facade of the MNAC announcing the exhibition The infinite war. Antoni Campañà. Tensions of a look. 1906-1989, they did not hesitate for a second. “But it’s the beast Anita!” Anita was the family name of Ana Garbín Alonso, a free and libertarian woman who had worked as a dependent in Can Jorba and who, at the time of the photo, was 21 years old, was divorced from the first husband, had a daughter, Liberty, three years old, and maintained a passionate relationship with a Republican army officer who had a second family in France. They lived near the Paseo de Gracia. Born in Almeria in 1915, she had arrived in Barcelona at the age of five and was the oldest of the six children (four girls and a boy) of Manuel Garbín Ibáñez, a militant anarchist who had joined the CNT in 1921 and worked on the railways, and Grabriela Alonso Martínez, who ran a greengrocer and volatería store in the home where they lived in the Plaza de San Agustín Well, in the neighborhood. “The iconic photo of Iberian anarchism was taken by a Catholic and the protagonist was a believer”

    “Their commitment is totally linked to that of their parents. She grew up in an atmosphere of anarchist militancy and she kept the ideals until the end”, recall the youngest son, Joseph Lumbreras, Pepito, and his nephew Alain Solans, who in French exile remembers her cooking paellas and listening to albums by Antonio Molina, Juanito Valderrama, Joselito, Luis Mariano, Lola Flores, El Niño de Murcia or Manolo Escobar. He never wanted to go back to Barcelona. “Their political commitment nullified any desire to return to a country ruled by fascists,” they point out. He died in 1977 in Beziers and, as a good believer, his grave is presided over by a cross.

    In 1937, a year after Campañà portrayed her, Anita, who had already seen her second daughter, Harmonia, died, gave birth to Floréal Pérez. “She could not breastfeed and her mother, Gabriela, who had just had the Amapola”, recall the son and nephew, who recount that Anita was involved in politics since the age of 18 and that in the defense of Barcelona also participated the sisters Carmen and Josefa, 11 and 8 years old, “hiding weapons in chairs with double bottoms and in laundry baskets that they carried”

    Floréal is the daughter of a Republican commander with whom on February 10, 1939 she crossed the French border to escape the bombs. They threw weapons into the sea in Cervera de la Marenda and were separated in different refugee camps until the French woman rescued them from the military. “Anita left, then, alone with her children in Bedarius, worked as a seamstress in a military uniform factory, organized union meetings with the Spanish exiles and, later, settled in Beziers”, where she met what would be the love of her life, José Lumbreras, communist and father of Pepito.

    “They often argued passionately and the conversations rose in tone, but they did not try to convince each other, each convinced of their good cause and good faith.” Of course, when she uttered the word religion, he answered: “Inquisition”.

    The identity of the protagonist of the iconic photograph has been made known on the occasion of the inauguration of Antoni Campañà. Icônes cachées , which opens tomorrow in the Pavillon Populaire of Montpellier and has as curators Arnau González i Vilalta, Plàcid Garcia-Planas and the grandson of the photographer, Toni Monné, the same who opened for the first time to the public in the MNAC the content of the red boxes on life in the rear. “The great paradox of this story is that the iconic photography of Spanish Iberian anarchism was made by a Catholic photographer and the model was a believer,” says Garcia-Planas, who with the other two curators prepares a documentary about the militiawoman.

    I actually didn’t realize until afterward that she named her daughter Liberty, a fun coincidence ^^




  • I fully agree being able to build your own DIY batteries is indeed very solarpunk. I only wanted to clarify that we allow non-literal BIFL suggestions, as you mentioned that all personal ev’s are not technically BIFL (which is true).

    The replies you are receiving are not from slrpnk.net accounts, but instead are from off-instance, likely from people who simply subcribe to this BIFL comm or saw it in in the /All view, and who do not consider themselves solarpunks.








  • Busses still use oil. Solar energy is still dependent on violent exploitation of the earth. If you choose to go vegan, you’ll likely still need monocultural practices to sustain yourselves.

    Busses are quickly becoming EV powered, which when combined with a renewable grid, make them certainly a far better option climate wise. Ideally we would also advocate for solarpunk urbanism, which heavily encourages walkable and bikeable cities combined with electric trains/trams as much as is possible.

    Even just monoculture veganism would be a substantial win for the climate (and animal suffering). However there are also non-monoculture ways of farming, as well as urban farming, which shows good promise.

    what I’m saying is we’re going to be in the gray no matter what. No right life in the wrong one and all that.

    IMHO that’s a thought terminating cliche, a way to continue to use harmful tools without it causing too much cognitive dissonance. Or in other words, it’s something we can choose to tell ourselves so we don’t feel as bad about it without having to make a substantial change in our lifestyles.

    However, or so I like to believe, many there do wish to create tools to create a quote unquote better world.Honor those honest people and forget about the control freak of a greedy ceo.

    Without meaning to offend, that is a very naive view of how corporations and CEOs operate, as they all ultimately are beholden to profit over all else.

    When I use AI, it feels like what you’re describing: I’m trying. Trying to play the hand I’ve been dealt. What else can I do?

    …Not use it? Like you and everyone else would’ve had to do just a few years ago before LLMs existed.

    Perhaps, yes, we must leave everything behind and opt for some sort of primitivism

    Solarpunk is not compatible with primitivsim, nor do we advocate for it (as that would only bring untold suffering and death).

    Solarpunk is an attempt to be as logical and realistic at balancing having a habitable and stable climate/biosphere with an appropriate and non-ecologically damaging use of technology to achieve maximal individual and collective freedom and happiness. If you haven’t you may want to read our “What is Solarpunk?” wiki article to have a better idea of what we’re striving for.

    I don’t see how AI with its undeniably emancipatory possibility can’t be part of that as well.

    For the reasons mentioned before, it is genuinely in direct opposition to building a solarpunk or habitable world.

    You don’t need a big team of well-paid engineers anymore to get actually functional shit of the ground anymore and that is frankly exciting!

    “Once men turned their thinking over to machines in the hope that this would set them free. But that only permitted other men with machines to enslave them.” ― Frank Herbert, Dune

    One last note on degrowth:

    Being more communal, having human connections, the other things you describe are all good, fostering community is essential to building the world we want, but there is also a hard physical reality that we are extremely close to making the planet’s ecology completely collapse due to our dependence and addiction to fossil fuels, meat, and now the tools that only further empower the very people who ensure those addictions continue until it is too late to reverse on any meaningful human time scale, and at that point all we will have left is our dances as the planet crumbles.

    Collectively we can’t just keep taking the easy path because it feels good and doesn’t require us to feel like we’re missing out, otherwise there will be no future for our children to inherit.

    It might feel good to see the AI make a somewhat functional app quickly, but it’s important to keep in mind the external cost to have that done quickly. Was it truly worth funding the billionaires that wish to enslave us further? Will that app be worth it 10 years from now if all our lives are made miserable from fascists rising to power with the aid of AI surveillance? When our family members are imprisoned, deported or killed, where healthcare is inaccessible to most, and we all seek ways to numb ourselves as the world burns around us?

    We have to keep in focus what we are enabling by taking that easy route, and the suffering we may cause to ourselves and others in the future by not taking a stand while we can.


  • well of course, but this argument could be extended to the use of just about any technology (ethics of mining, reality of elecitricty etc.) and also most societal structures (opressive, classist, racist, sexist, whatever).

    Yes, and part of solarpunk is about trying not to perpetuate those things as much as possible, which collectively makes a difference. That’s why Solarpunk advocates for degrowth (avoiding unnecessary consumption, repairing instead of buying new, gift and library economies), trying to avoid as much electricity and fossil fuel consumption as much as possible (using an public transport or an ebike where viable instead of a car, utilizing solar energy where possible), reducing meat consumption as much as possible to avoid unnecessary animal suffering and climate emissions, and to try to build the world we want to live in within the shell of the old through prefigurative politics.

    Not everyone will be able to do those things 100%, but it is absolutely still worthwhile to do what they can to whatever degree is feasible.

    Corporate AI use in particular is the easiest of all of those things to avoid using outside of a tech job that may enforce its use. If someone chooses to hand wave the harmful externalities it causes just because it feels convenient, then how are we to address any of the other problems humanity faces, which will generally require bigger lifestyle changes? All of us choosing to use it also sends the others looking at our movement that we are a “Do as I say, not as I do” group, who give lip service to trying to solve things while being unwilling to actually put our actions where I values claim to be.

    We are ultimately incredibly unlikely to build the world we want to live in by directly funding the very people who most wish to oppress us and stop our efforts, who would see the world burn to a cinder without blinking an eye.

    I’d really recommend checking out some of the links I provided in my first comment to fully grasp the scale of the problem that corporate AI is, and how supporting it by its use is incredibly self defeating.