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Joined 1 year ago
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Cake day: 9 January 2025

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  • 90s Trek was fantastic and did a great job handing off to each other. Even Voyager being stranded was still moving the world forward. Then we reset back to the first Enterprise, absolutely killing all the momentum.

    The best thing Discovery ever did (apart from soft launching Strange New Worlds which got lucky) was launch us into the far future and give us a place to build.

    I feel this is a powerful argument against prequels in general, not just for star trek.

    Like, I cant help but think you’re right. The latter half of disco did indeed move the setting to a place where Academy can pick up and it seems like it’s working.









  • The movie has personality to spare, taking full advantage of its Vietnam-era setting, from the character archetypes in play to the musical choices.

    Skull Island is a masterpiece in subverting soldier tropes. I giant middle finger to the generic GI Joe character we got in Godzilla.

    Every heroic last stand is easily swatted by the monsters and we get Sam Jackson as Ahab leading them all to their deaths. I don’t think they ever glorify the soldiers in the entire movie, which was fucking refreshing.














  • Haha so right. My original draft lamented how the psychedelic, pansexual, spy with a little gun Jerry Cornelius only lives on in the pale echo of Austin Powers. But then I thought it was too niche.

    But ya The Final Programme was my first literary introduction to homosexuality. The weird psychotropic defense towers on the Cornelius estate may have been my first introduction to mind altering states too.

    The original velvet suited dandy from swinging London (imo):