Logline
An accident with an experimental quantum probability field causes everyone on the USS Enterprise to break uncontrollably into song, but the real danger is that the field is expanding and beginning to impact other ships—allies and enemies alike.
Written by Dana Horgan & Bill Wolkoff
Directed by Dermott Downs
I loved the episode. I’m not a huge fan of American musical theatre, but this really worked for me and my partner.
The tone was just right and the songs were well matched to the skills and characters. It’s delightful.
It was also really nice to come to this community and soak up all the positivity. I really needed a place to come like this after watching episodes. As we see it a bit later on CTV Sci-fi Channel in Canada, I can often feel blasted with fan backlash when I check out people’s views after watching.
Yes, there are a few folks here for whom this isn’t there kind of thing, and they are letting us know. We’ve not however seeing brigading negativity that is cropping up on some other social media. I can appreciate that some want their Trek more dignified and serious, but the ‘worst thing ever’ hyperbole is a bit hard to take when Threshold and Code of Honor exist.
I think the main split in the Trek fandom now is how serious a tone people tend to prefer. Most of TNG was professionalism porn, and most of the 90s stuff was generally serious. A lot of people got used to that, and whenever I talk to them about stuff like SNW or LD, their chief complaint is that “the characters act immature and are too quippy”. To an extent, I can agree and see the point of view, but on the other hand, I really like it when Trek doesn’t take itself too seriously.
I like to argue that the TOS era was a less mature era of Starfleet in general which causes the familiarity with the bridge crew to be more socially profound as opposed to professionally based. To whit, I remember SNW directly addressing things like this wherein they discuss “General Order 1” being renamed “The Prime Directive” which I feel is evident of a maturing organization.
Strange New Worlds doesn’t take itself seriously unless it has to. It’s been great about totally experimenting with the Trek formula to create unique, fun and memorable episodes. The plot devices are straight out of the 70’s, with random space anomalies impacting the crew. They modernize the storytelling and keep up the pace, which is always just what the TOS era needed.
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Most of the people who argue that the new stuff is not serious enough would probably consider most if not all of those sillier episodes from the old days to be not worth watching. There’s tons of DS9 watch orders that are like “Skip the Bajoran restoration, don’t watch the Ferengi episodes, don’t watch the Mirror Universe, etc”
Some people just dislike fun!
DS9 had what seemed to be a whole season singing swing songs in the holodeck…
One of my favorite things ever is the DS9 instrumental for the heist episode. It’s just great.
Voyager had the captain proton episodes which are tremendously silly as well
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@canis_majoris @StillPaisleyCat
TOS could be downright goofy sometimes. Tribbles, Harry Mudd and his android wives, Spock jamming with the Space Hippies™. Sure, there were heavier episodes like City on the Edge of Forever, but … c’mon, it was the 60s! Not everything could be US Space Navy vs the Evil Aliens.