MaoTheLawn [any, any]

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Joined 4 years ago
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Cake day: August 4th, 2020

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  • If you have the chance to do a degree you might as well. It’s really not that difficult to at least pass. Like, the standard of work I saw from my worst classmates (who all passed) was sometimes quite astounding. I played video games and smoked too much weed, handed stuff in that I thought was totally shoddy, and still got a first. So do a lot of people.

    If you do one, make sure it’s one with a lot of practical stuff or placements. That way your grade isn’t on doing some academic bullshit essay where you have to self motivate in the comfort of your own home where you’d rather be doing anything else, it’s about showing up to a place where you can really feel you’re learning a real world skill. And you can then put it on your CV. Very valuable. Plus it’s fun, you’ll meet people you can hang out with. University is more about gaining people skills and confidence than learning, to be honest.

    That said… I’m on the job hunt now and I’m not qualified for fucking anything either, lol. That’s on me for doing an arts based degree. Every application takes fucking forever too. But with the experience I got from doing a degree, it feels like I’m at least hitting the dartboard, whereas before i was blindly throwing it at the backboard. Once I’ve thrown 150 darts, I might just get a bullseye one of these days.


  • Hm. I think you have identified a plot/plot device rather than a genre really.

    Memento I would put in a similar realm to Shutter Island (man is a detective in a mental asylum… or is he!!!) - that being psychological horror/mystery. You could add The Machinist to that (man cant sleep and goes nuts… or something - I don’t really remember lol).

    What I’ve noticed writing this is that those films are experiential narratives - you are essentially given the same disordered thinking as the protagonist.

    12 Monkeys on the other hand is more science fictiony - a bit like Terry Gilliam’s (12 Monkey’s director) Brazil. (man becomes disillusioned in a surreal dystopia, everyone thinks he’s mad). That’s a great movie.

    Now straddling experiential madness and Terry Gilliam is Fear And Loathing In Las Vegas, where you follow Hunter S Thompson’s psychedelic Las Vegas drug binge from his perspective. It’s not scary so much, but it might tickle your fancy.

    You could also probably try any David Lynch film. Lost Highway. Mulholland Drive. Eraserhead.

    otherwise…

    Truman Show

    The Game (Fincher)

    Woman In The Dunes

    They Live

    Stalker (maybe)

    Aguirre, Wrath Of God

    Hard To Be A God (otherworldly scientist gets sent to a medieval planet, but is forbidden from altering their world)

    White Noise (I didn’t really like it, to be honest)

    Bunny And The Bull (maybe)

    The Hourglass Sanatorium (surrealist masterpiece I would say, a film like it will never be made again)






  • MaoTheLawn [any, any]@hexbear.nettomovies@hexbear.netOh no
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    2 days ago

    I think it’s going to be ironic, in a lib sort of way, where Superman discovers that America bad, and that some deep state shadow agency is colluding with a foreign entity, but then Superman saves the day and America becomes the good and true America that America was always destined to be.


  • I sort wonder whether because it is always a given that America will veto in favour of war/imperialism, and people are used to that, Britain and Frances vote for ceasefire was pre planned to be an empty but people pleasing move, with approval from America. Europe aren’t complaining about America doing such a thing, over and over and over for a century. They seem quite happy to just disagree and have that count as meaningful action.

    In this scenario, America is to Europe as the Republicans are to Democrats. Europe needs America to be Mr Big Bad so it’s rulers can continue to pretend that they care about peace.